Thursday, October 30, 2014

Connecticut university names new dorm after Weehawken native

NJ.com, 9-Oct-2014

A Connecticut university has named a dormitory after a Weehawken man who has made major donations to the school since graduating in 1970.

John C. Meditz is the namesake of Meditz Hall, a residence hall at Fairfield University, the school announced on Thursday. The Jesuit university held a dedication ceremony on Oct. 2 to unveil the newly named dormitory, which opened in 2011. The hall was temporarily named 51 McInnes Road prior to the ceremony.

The university said Meditz, who is an alumnus and trustee, was chosen to honor his longtime support of the school. Rev. Jeffrey von Arx S.J., president of Fairfield, said that Meditz's "most enduring gift" to the university has been the example he has set as an alumnus who gives back to his community.

"For John, these are values he has taken to heart," he said in a statement. "They are integral to his way of life, and of his vision of his place in his community, whether that be the Fairfield community, or the community of Weehawken New Jersey, which he has also served tirelessly for so many years."

He is a lifelong Weehawken resident, who's fairly well-known for his philanthropy. In July, Palisades Medical Center
renamed its lobby after Meditz. He recently donated $10 million to Fairfield to expand and modernize a recreation complex. He also contributed to the university's art museum and student scholarship programs, according to the university.

“It is not simply that I have provided financial assistance because Fairfield was the granter of my undergraduate degree, or because I have served on its board for any number of years, rather it is to enhance what I consider to be a superior educational experience for students in the 21st century,” Meditz said in a statement.

Sunday, October 19, 2014

County high school may move from North Bergen to Secaucus

Weehawken Reporter,
by Al Sullivan

With additional money being generated through the state, a plan to move the North Bergen campus of the Hudson County Schools of Technology to Secaucus seems to be on the agenda again after being set aside in 2011.

The move would not affect the Montgomery Avenue campus in Jersey City, one of the concerns that were raised when the project was proposed.

The new facility will move to a site currently occupied by a dinosaur park, which recently received a two year extension on its contract.

“I’m guessing they will start construction after the contract with the dinosaur park expires,” said Secaucus Mayor Michael Gonnelli.

Freeholder Bill O’Dea said that by having the Jersey City campus remain where it is, he has no objection to the Secaucus location.

The Hudson County Board of Freeholders is expected to revive the plans over the next few months for a possible approval in early 2015.

“The Jersey City campus will remain as is – they’re adding classrooms and a new gym -- which was my biggest concern of losing County Prep from Jersey City,” O’Dea said. “Since the Jersey City campus remains intact, the concerns I had about the remote location have been ameliorated.”

The county applied to the New Jersey Schools Development Authority in 2011 for funding that would revive a project first suggested in 2001, in order to secure the millions of dollars needed to construct a new campus on property already owned by the county in Secaucus.

The Schools of Technology are countywide public high schools to which the area’s students must apply for admission. The schools affected by the move would likely be High Tech High School, at 2000 85th St. and Tonnelle Avenue in North Bergen, and County Prep, at 525 Montgomery St. in Jersey City.

But the project was stalled partly by the downturn in the economy.

The original plans called for building a new Schools of Technology campus in Secaucus’ Laurel Hill park, a county-owned park that could accommodate 480 students from North Bergen and additional students from the campus in Jersey City. Both properties would then be sold to help cover the costs of the new building.

The new plan would leave the Jersey City campus alone. It was always a school structure and recently renovated. The students would move from the North Bergen building, a converted 100-year-old factory.

Although the North Bergen facility has been modified significantly, officials said the place still had problems. Also, Tonnelle Avenue is increasingly becoming a dense commercial area and, officials said, the school does not fit in with the type of development taking place around it.

O’Dea was among the outspoken critics of the original plan and demanded that Schools of Technology keep a small satellite campus open in Jersey City, probably somewhere in the Journal Square area.

O’Dea and other Jersey City freeholders in 2011 said they were concerned about how remote the Secaucus campus was, and the toll traveling to and from it would have on students that come from other parts of Hudson County such as Bayonne or Kearny. By keeping a full facility in Jersey City – which is mostly attended by kids from Jersey City, Bayonne, and some from North Hudson, kids would be less burdened.

Could be a good thing for Secaucus

The original estimated cost for the building was nearly $200 million although the latest plan appears to be about $150 million if approved. The state would pay about 59 percent of the total cost, while the county would have to pay the remaining $61.5 million.

The move comes at a time when Secaucus has authorized the expansion of its existing middle school, and raised questions about what the impact might be on the local school system.

Mayor Michael Gonnelli, who had expressed some concerns several years ago when the project was first proposed, said new proposal looks more viable.

“We didn’t have a lot of information back then and it was a much bigger project,” Gonnelli said. “It’s looks to me that the county has put a lot of money into its Jersey City school, and that part of the school isn’t coming over to Secaucus. This is a smaller project than first proposed. This reduces the scope and the number of buses that will be coming into Secaucus.”

Gonnelli said people in Secaucus had raised concerns about increased bus traffic, “But the county has come up with a plan that would have the buses coming off of [Turnpike exit] 15x and along County Road, not on County Avenue or other streets. There is a positive. This will be a beautiful facility and provide opportunities for Secaucus kids.”

There is a potential for expanding programs to local students through cooperative agreements made possible by the move, not possible previously because of how remote the current location is to Secaucus.

“The only downside may be where it is located near the wetlands,” Gonnelli said. “But I’m going to meet with Bill Sheehan [the Hackensack Riverkeeper] and our environmental committee to discuss it. The project is being proposed for uplands, and we might have an opportunity to provide some environmental education programs as a result of this.”

 

Wednesday, October 15, 2014

Plays to be performed in Park Avenue water tower

Weehawken Reporter, 12-Oct -14
by Vincent J. Fitzgerald

From the time it was built in 1883, the Weehawken Water Tower, located on Park Avenue on the Union City border, has served two important functions: it housed the home offices of the Hackensack Water Company, and it held 165,000 gallons of water for drinking and extinguishing fires in all North Hudson towns as well as Hoboken and Hackensack.

When the tower complex was purchased by Entin Associates in 1981, the gatehouse and reservoir were razed and replaced with a Pathmark supermarket and parking space. However, due to its landmark status in the National Register of Historic Places, a distinction it received in 1980, the tower was spared demolition and structurally maintained. While the interior served no function at that time, the 175 ft. red brick exterior served as a beacon for ships entering New York Harbor.

The town of Weehawken took over the property in 2000 and initiated a massive restoration of the water tower, first restoring the exterior, followed by the creation of a plaza park in the surrounding area, and finally, cleaning the brick wall of the interior, which made the tower appear new while maintaining its historical charm.

The refurbished tower needed only a heartbeat to give it new life, and beginning this year Hudson Theater Works has become that heartbeat.

A Hudson County cultural institution

Co-founded by Weehawken resident Frank Licato, who also serves as the group’s artistic director, the company gave the restored tower its first use in over 100 years, a distinction to which Licato credits Mayor Richard Turner.

“Thanks to Mayor Turner and the city of Weehawken, we are the first people to use the renovated water tower.” Licato describes the tower as, “beautiful inside,” while urging patrons to buy tickets to performances early as the intimacy of the tower allows for a maximum audience of 40 patrons. Licato also expressed appreciation toward the mayor and township for allowing the company to use Weehawken High School as a secondary venue.

Hudson Theater Works is a group comprised mainly of Hudson County residents, but Licato is quick to remind, “We are a professional equity theater. We are not a community theater, as we pay professional actors who work at their craft for a living.”

Working at his craft for a living is a passion about which Licato has first-hand knowledge. In 30 years of experience in the performing arts, Licato has acted, directed, and taught fellow actors. He has also produced, and has garnered accolades and distinctions along the way.

Throughout his career, Licato has performed off-Broadway in works by Sam Shepard and Rod Serling, and was nominated for an Obie award for his performance in “Deathwatch” by Jean Genet.

Licato takes special pride in Hudson Theater Works and its goal of contributing to the burgeoning artistic community of Hudson County. Although the company puts on productions of plays, Licato places emphasis on the group’s PlayWorks series.

Productions coming up

“PlayWorks is our festival of new play readings, taking place on three consecutive Mondays at the water tower.” Among the purposes of the readings is to give theater patrons in-depth insight into the creative process and the evolution of what may eventually become a staged production, as is the case with the company’s current production of “3 Men,” written and performed by Hoboken resident and Rutgers University graduate, Mike Folie, and directed by Mr. Licato. “ ‘3 Men’ actually came out of the PlayWorks series last year, and is the first new play Hudson Theater Works has produced,” Licato said.

In “3 Men,” Folie serves as a narrator who explores his relationships with a lawyer, magazine editor, and producer, all of whom have greatly influenced the course of his life. The interactions explore the complex concepts of art, life, death, and resurrection.

Folie’s credentials are typical of Hudson Theater Works status as a professional company. The author’s plays, such as “The Adjustment and Jewish Rep” have been produced Off and Off-Off Broadway, and Dramatist Guild Magazine placed Folie on its list of “Fifty Playwrights to Watch.”

Among this year’s PlayWorks playwrights are Weehawken residents Eric Conger and Joanne Hoersch. Also in the group are Jersey City actors such as Summer Dawn Hortillosa, who performed in the inaugural production in the water tower, and first of the 2014 season, “One Flew over the Cuckoo’s Nest,” an example of how Hudson County provides the theater group with a steady influx of talent.

Part of the company’s commitment to expanding the artistic community is its willingness to accept submissions of works from outside authors. While there is no assurance of a submitted work leading to production, all are read as time allows.

Two productions in October

For now the primary focus of Hudson Theater Works is the production of “3 Men” as well as the PlayWorks series, and while Mr. Licato hopes the group continues producing works in the restored Weehawken institution, he emphasizes that members of Hudson Theater Works consider themselves “a Hudson County institution, and not just a Weehawken one.”

Performances of “3 Men” will take place at the Weehawken Water Tower, 4078 Park Ave., Weehawken, on Oct. 17 through 26, Fridays and Saturdays at 8 p.m., and Sundays at 3 p.m. Parking is free in the Pathmark parking lot. Tickets are $30, general admission, with senior and student discounts available.

All performances are 90 minutes, including intermission.

PlayWorks performances will take place in the water tower on Oct. 13 and 20 (one show already passed on Oct. 6). All performances begin at 7:30 p.m. Tickets are $10, and all performances have limited seating.

For reservations call 1-800-838-3006 or visit
www.hudsontheatreworks.org.

Sunday, October 5, 2014

Weehawken artist finds strength and inspiration through love of music

By Yarleen Hernandez
21-Sep-14

Death completely consumed Jenna Marotta after her father, brother, and dear friend passed away, one after the other.

“I lost my brother, Michael Bruzgis,” she said. “He passed away six months after my father and it was very hard to lose him.”

A few months later, she lost a close friend.

“He was the doorman at The Bitter End for many years,” she said. “When he passed in August of last year, I was very sad.”

Completely distraught, Weehawken resident Marotta harnessed her pain and channeled it into her music. She began recording a CD which she released this past May.

Marotta’s losses combined with the 9/11 anniversary served as inspiration for her song “Never Forget.” The pain and sorrow in her voice are easily identifiable on the track.

“They had a benefit for him and when I performed, it wasn’t quite finished yet,” she said. “Then four days later was 9/11 and everything on the news was ‘never forget’ and it came to me. It became about them. It became about the wives and the families that they lost on 9/11.”

A natural artist

Marotta’s passion for music and performance was always a constant in her life. From an early age, her mom put her in numerous activities including piano and dancing. She was a self-proclaimed natural.

“I excelled at all of them,” she said. “It was clear from the start that I was supposed to be something.”

Marotta just didn’t quite know what that “something” was yet though she knew she’d never give up until she figured it out. Marotta’s journey to self-discovery would be filled with setbacks, struggles and pain but she’d never allow any of it to deter her.

“I had won a scholarship for Future Teachers of America N.J. because I was going to become a teacher,” said Marotta. “When I started college, it was ‘do the safe thing’.”

Originally a math education major at the University of Tampa, Marotta quickly realized her freshman year that music was her passion and it was time to pursue it. “I’d recently found out that my school had a brand new major that year of musical theater,” she said. “Needless to say I was itching. The music bug was there. I got to the end of the semester in math education and I went up to the director of the department and I was like, ‘How can I audition for the musical theater department’.”

Marotta graduated from the University of Tampa in 2006 with a Bachelors Degree in Performing Arts. Before finally settling in Weehawken, Marotta lived in Chicago where she had a taste of fame.

A chance of a lifetime: The Apollo Theater

“I was doing my thing in Chicago and a good friend of mine brought me to this tour show at this casino in Indiana, and I got booed off faster than you could tell,” said Marotta. “A year later the tour show came out again and I went back (to audition) and I did it the right way. The Apollo is all about class and style. The Apollo has this rich history. When you go there it’s an honor and a privilege.”

Marotta was then chosen to participate on the national TV show Amateur Night on Showtime at the Apollo in New York City where she received a standing ovation for her cover of Gladys Knight’s ‘Neither One of Us’.

After that, she knew that this is where she needed to be make her dreams come true.

“When I flew up here to do the Apollo, my whole idea changed,” said Marotta. “My friends were like, ‘Come to Hoboken, you’ll love it’ and that’s what I did. I came and I did more for music than I had in 10 years and I was like ‘okay this is the place’.”

Born in Philadelphia and raised in Palmyra, N.J., Marotta quickly fell in love with Weehawken’s charm and proximity to the capital of the world. “[Palmyra] is a small town about 1.6 square miles and maybe 8,000 people, so it’s very similar to Weehawken if you just kinda make it a little bit grander, because it’s obviously [close to] New York,” she said.

“I think that’s why I wound up settling here in Hudson County, Weehawken, specifically, because it kinda just felt like home. I live half a block from the bus now,” she said. “Weehawken has an amazing school system so I wouldn’t mind raising my children there. I’d be happy to do that. It’s a really great town.”

The birth of ‘Gypsy’

“I started working in the city and it took me a long time before I could even play in front of people,” she said. “I only had four songs to start and I just kept at it and kept at it and that’s me in a nutshell. I haven’t quit yet and I’m not gonna.”

Marotta realized that she needed a full-length album in order to garner the success and recognition she always craved.

”It was about three years ago when I finally decided I needed an album,” she said. “This is a business for me. Yes, it’s my love, it’s my passion but you should do that as your business and every business has a product that they’re selling. I didn’t have a product.”

Marotta tried to get funded through a Kickstarter campaign but was not able to raise the $5,000 she budgeted for six to eight songs.

“With Kickstarter, if you don’t make the full amount in pledges they don’t give you anything,” she said. “I wasn’t successful in my campaign, and then a month later my father passed away. It was obvious to me that it wasn’t meant to be at that time.”

A year later, Marotta was ready to begin recording the songs she’d worked on during her time of healing and growth. “I wanted it to be as ready for radio and as good as it could get doing it on my own,” she said. “In three days we knocked out nine songs. I wanted guys that could nail it and that’s what they did. I tried to release it really fast that year but I didn’t have the money to do a CD and I did an online release.”

Marotta’s CD was released on May 31, and features “Never Forget” in addition to “Gypsy” and “Diesel Woman,” songs that represent her free spirit. Marotta’s sound is self-described as adult contemporary pop rock with noticeable similarities to Janis Joplin, Alanis Morissette and Lisa Loeb.

“It’s not for the teeny boppers,” said Marotta. “The themes of my songs are a little bit more mature. When you hit your 20s and 30s, people appreciate the fact that somebody else has already lived through some of what they’re living through.”

Marotta currently performs at Manhattan venues such as Gavin Degraw’s recently-closed bar National Underground, the West Village’s Caffe Vivaldi, and The Bitter End, her favorite venue.

“I’ve been performing at The Bitter End for about five years now,” she said. “It’s where all the greats got started. I go there and it’s my home. We’re like family there.”

Marotta’s ultimate goal is to get picked up by a major record label but she hopes it won’t compromise her musical integrity.

“I wouldn’t want to have it hinder me but I’d like to be part of a major record label,” she said. “I’d just like to have commercial music that deserves mass-marketing. I have the talent and product so I’d really like to get it out there; to be one of the big ones.”

Despite the adversity she’s faced, her faith has never faltered and she hopes her father would be proud of what she’s accomplished.

‘I’m very faithful’

“I found strength in prayer and faith,” she said. “My father was a very believing man. He loved God. I just looked to faith for guidance to make him proud. My father told me once ‘Don’t think about the bad memories. Just think about the good things’.”

When Marotta isn’t performing or writing music, she’s working as a real estate agent for Re/Max, which she feels comes quite naturally to her.

Marotta was recently scheduled to appear on Thursday, Aug. 21 at Rapture Lounge in Astoria, Queens, where she’ll be celebrating her birthday. She is on Twitter @jeanaeluv and her website is www.jennamarottamusic.com.

Marotta knows firsthand that self-reflection, perseverance and faith are key to making dreams a reality, and giving up is not an option.

“People have to find the path that’s right for them,” she said. “Be honest with yourself then go get it. Never give up. Appreciate every blessing big and small and follow the path that was meant for you.”

Thursday, October 2, 2014

$120K Settlement with Former Tax Collector!

Lawsuit settled
Former tax assessor said mayor overstepped bounds
By Carlo Davis

Weehawken taxpayers will have to pay $120,000 for a legal settlement with the town’s former tax collector, Joseph Fredericks. The township’s agreement with Fredericks closed the book on a federal lawsuit in which he alleged that Mayor Richard Turner overstepped his authority to control every aspect of Weehawken’s daily operations, including the tax assessment of certain luxury properties at “higher than legally permitted rates.”

David Corrigan, Weehawken’s labor attorney, said Fredericks’ lawsuit was “without merit” and denied that any improper actions had been taken by Weehawken or its leadership. In exchange for the settlement, Fredericks retired from the job. Corrigan said the settlement agreement embodied “extraordinarily favorable terms” for the township.

In addition, Corrigan noted that Fredericks’ attorney, Louis Zayas, who is based in North Bergen, has a history of filing exaggerated claims against Hudson County municipalities. Zayas is handling a number of cases of employees of local towns suing mayors.

But according to Zayas, the lawsuit demonstrated that all decision-making power in Weehawken ultimately flows through Turner, in contravention of the town’s charter.

Turner has declined to speak on the record about the case. The mayor is extremely popular in Weehawken. After being appointed township manager by the state to help save the town from near bankruptcy in 1982, he was elected mayor in 1990 and has held the post ever since, running unopposed in the last three elections.

Twenty years

Joseph Fredericks served as the tax collector of Weehawken from 1994 until 2014, when he resigned. In his 2012 complaint filed in federal district court, Fredericks alleged that he regularly complained of unlawful and improper activities undertaken by the township and Mayor Turner during his tenure.

In particular, Fredericks asserted that Turner interfered improperly in Weehawken’s assessment of property taxes. In a sworn certification submitted in support of a lawsuit filed by Weehawken Police Lt. Richard DeCosmis in 2010, Fredericks alleged that Turner had told Tax Assessor Paul Sadlon to assess luxury waterfront properties at a rate roughly 35 percentage points higher than was allowed in the state formula.

Hugh McGuire, Weehawken’s former real estate appraisal expert, also said that Turner had pushed for higher added assessments, in a deposition in the DeCosmis case. (DeCosmis was suing the township for what he said was a longtime pattern of harassment against him).

According to the complaint, Fredericks said he brought his concerns to Director of Finance Richard Barsa and Town Manager James Marchetti numerous times. In response, Fredericks alleged, Marchetti would always shrug and say “It’s not up to me” or “What do you want me to do?”

Corrigan said any allegations of illegally high taxes were plainly false. “The mayor and council play a role in setting the tax rate, and frankly the tax rates in Weehawken are moderate and that’s why [Turner] has been reelected so many times.”

Back pay payback

In the complaint, Fredericks said that when he gave a sworn certification for Richard DeCosmis’s lawsuit against Weehawken in September 2010, this triggered a barrage of retaliatory measures against him.

He said the funding he had been given annually to attend tax collection seminars and conferences was allegedly cut. Barsa allegedly required that all of Fredericks’ future correspondence be approved by him or Weehawken CFO Lisa Toscano.

Fredericks said he was allegedly excluded from across-the-board raises given to Weehawken employees in 2010 and 2012. In addition, Fredericks alleged that he was never paid the extra salary he had been promised for taking over management of Weehawken’s tax abatement program starting in 2009.

Finally, Fredericks said he was told by Marchetti in a meeting that he was overpaid and that his salary should be reduced. All of these actions taken together created a hostile work environment, according to Fredericks.

Zayas said his client had never been disciplined in his decades of service prior to the retaliation that followed his deposition in the DeCosmis suit.

Mayors and managers

Behind the allegations is a broader accusation about the level of influence Turner exerts over the governance of Weehawken. According to Zayas, Turner controls the town’s government in direct violation of Weehawken’s municipal charter.

The township of Weehawken is organized as a council-manager form of local government under New Jersey’s Faulkner Act. The mayor serves concurrently as a councilperson-at-large, but retains relatively few mayoral powers in addition to his legislative responsibilities. A town manager appointed by the Township Council serves as the chief executive of Weehawken, overseeing the day-to-day operations of the government.

The Faulkner Act under which Weehawken’s government is chartered forbids council members from seeking “individually to influence the official acts of the municipal manager, or any other officer… or to interfere in any way with the performance by such officers of their duties.”

Corrigan said Turner has never acted improperly as the mayor of Weehawken. “If he had ever done anything improper, he would not be reelected,” said Corrigan.

Corrigan confirmed that Turner had been involved in discussions with the tax collector and tax assessor regarding the town’s tax rate, but said this activity was not illegal, and directly benefited the city.

“There is nothing that would preclude the council from working with a tax collector to do what’s best for the town,” Corrigan added.

According to Corrigan, Turner “lent his expertise…to ensure that taxes are uniform and productive for all” and should be applauded “rather than to be besmirched for working regarding the tax rate.”

Settlement terms

In his settlement agreement with the city, Fredericks received a $15,000 salary increase back-dated to 2011 and 153 1/2 days of paid terminal leave. Weehawken’s insurance company paid Fredericks $30,000 and Zayas $45,000 in attorney’s fees.

According to Corrigan, Fredericks was making around $117,000 per year prior to his salary increase.

The settlement granted to Fredericks is also notably smaller than the amount of damages requested in the lawsuit. In a 2012 NJ.com article, Zayas said that his client was seeking $1 million in punitive damages and $250,000 in back pay.

In exchange for the payments, Fredericks agreed to retire immediately once the agreement went into effect and give up all future claims against Weehawken. The township admitted no liability for the claims advanced in the lawsuit, which the agreement described as “doubtful and disputed.”

The agreement was approved by the Township Council on May 14, 2014.

Since Fredericks’ departure, said Corrigan, Weehawken’s tax collection has been overseen by a part-time outside contractor at significant cost savings to the town. When the town ultimately hires a new tax collector, Corrigan said he or she would receive a significantly lower salary than Fredericks, in part due to Fredericks’ seniority.

“I think we’re going to recoup the money within a year,” said Corrigan.